The Boosh are on the road in what could almost be called a play, an epic even... The duo looks so natural that you begin to wonder why everybody can't do what they do. But some particularly impressive sword fights and inspired manic-eyed rants put them several zillion jots above your average pub joker. (Amy Liptrot)
A road trip into the bizarre recesses of their combined psyche.. Surreal is over-used word in connection with comedy, but for once their bizarre imagination justifies the description.. They have made tremendous use of sound effects and inspired staging, including a brilliant car chase sequence. (Eddie Gibb)
No matter what they do, there is hysteria in the air throughout the show. Auto Boosh is a free-form fantasy fable featuring Vince Noir and Howard Moon. ..I suspect that the show is already sold out from now until the next leap year. (Hettie Judah)
Concentrating more on verbal than visual surrealism...The duo is wonderfully inventive even in first gear. If you haven't seen them perform live, do so now. (Nicholas Barber)
AutoBoosh is selling out night after night. These boys are about to become the biggest live act in British comedy. Just book early. (Stephen Armstrong)
The Boosh live in a world of their own where cockney gentlemen gangsters, huge-faced rabbits and the Man in the Moon happily co-exist. And it's very, very funny. ... The Boosh are steps away from genius. (Mark Robertson)
Huge aliens in parkas, a dubbed butler with his voice in a jar, sword-fights and flannels, The Boosh are back... and we laugh and laugh. The pair are an unselfish and excellent team, complementing each other perfectly. They stick to a slick, tight script and produce a performance that is as polished as any theatre and funnier than many big name TV show comedians. Incredibly, this surpasses its hype. (Vicky Frost)
Already established as one of the hottest tickets on the Fringe. With original raps, outrageous props, elaborate costumes and low-key special effects Autoboosh is more cinematic than theatrical. This is one of the most creative and entertaining shows on the fringe. (Jason Hall)
Already firm fringe favourites... Fielding, cutely dopey and looking like the grandson of Roger Daltrey, is the ideal foil for Barratt's twinkling pomposity, while their endlessly convoluted surrealism and relaxed style evokes vintage Vic and Bob. (Steve Jelbert)
More surreal than 21st-century versions of Bob Hope and Bing Crosby with joyous echoes of Laurel and Hardy too. Two irresistibly loveable arrested-adolescent pillocks being wondrously stupid and wildly daft in lots of zestful and highly inventive ways. A solid monument to the comic imagination from a load of apparently random references and gauzy asides. (David Belcher)